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In the living room, colorful midcentury and contemporary furnishings such as the curvy sofa covered in a flecked bouclé and pink porcelain side tables (Djim Berger) stand out against gray-painted ...
They Waz Nice White Folks While They Lasted (Sez One Gal to Another) is a 2001 installation artwork by American artist Kara Walker, located at the Indianapolis Museum of Art, which is in Indianapolis, Indiana, United States. It consists of paper cutouts forming a strange tableau with the projected image of a steamboat. [1]
For example, Islamic art in many periods and places consists entirely of the decorative arts, often using geometric and plant forms, as does the art of many traditional cultures. [1] The distinction between decorative and fine arts is not very useful for appreciating Chinese art, and neither is it for understanding early Medieval art in Europe.
The lady wears a red dress, in a room with Romanesque columns holding up the arches of the window reflected in the mirror. The frame of the loom and the geometric tiles of the floor lead the viewer into the room, where reds, yellows and blues echo the more vivid colours outside. A single poppy can be seen reflected in the mirror.
The painting shows a milkmaid, a woman who milks cows and makes dairy products like butter and cheese, in a plain room carefully pouring milk into a squat earthenware container on a table. Milkmaids began working solely in the stables before large houses hired them to do housework as well rather than hiring out for more staff.
A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's interests and aspirations. The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house.
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