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The word Pantocrator defines Christ as the ruler and judge of heaven and earth. [6] The earliest known depiction of Christ as Christ Pantocrator (Sinai) was painted during the 6th century. The work of art is part of the collection of Saint Catherine's Monastery. Church domes became a common site of Pantocrator images in the Greek and Italian world.
Christ's features on his right side (the viewer's left) are supposed to represent the qualities of his human nature, while his left side (the viewer's right) represents his divinity. [9] His right hand is shown opening outward, signifying his gift of blessing, while the left hand and arm are clutching a thick Gospel book. [10]
Icon of the Deesis – St. Catherine's Monastery Sinai, 12th century Great Deesis with Prophets; 16th century; Walters Art Museum In Byzantine art, and in later Eastern Orthodox iconography generally, the Deësis or Deisis (/ d eɪ ˈ iː s ɪ s /, day-EE-siss; Greek: δέησις, "prayer" or "supplication") is a traditional iconic representation of Christ in Majesty or Christ Pantocrator ...
However, the Wiccan symbol was only added in 2007 to settle a lawsuit filed on behalf of several families by Americans United for the Separation of Church and State in November 2006. [ 2 ] [ 3 ] [ 4 ] A separate parallel lawsuit was filed on behalf of two Wiccan churches and three families by the American Civil Liberties Union in September 2006 ...
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
The Crucifix, a cross with corpus, a symbol used in the Catholic Church, Lutheranism, the Eastern Orthodox Church, and Anglicanism, in contrast with some other Protestant denominations, Church of the East, and Armenian Apostolic Church, which use only a bare cross Early use of a globus cruciger on a solidus minted by Leontios (r. 695–698); on the obverse, a stepped cross in the shape of an ...
"An Encaustic Icon of Christ at Sinai." The Art Bulletin 49, No. 3 (1967): 197–208. Galey, John, Forsyth, George, and Weitzmann, Kurt. Sinai and the Monastery of St. Catherine, Doubleday, New York, 1980 mentions the icon as showing the two natures but not as each on one side of the face.
Team names and their associated sports mascots are examples of totems in the social sciences; symbols that serve both social and psychological functions with many implicit meanings. [ 1 ] [ 2 ] The social function is to connect individuals into a community; the psychological function is to symbolize desired qualities with which fans can identify.
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