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Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was eventually replaced by the accordion , on which a variety of waltzes, polkas, and other dance styles were played.
The influence of Antoine Bouscatel led to bal-musette incorporating the Italian accordion, which soon came to dominate the music. This is the period that produced internationally known masters like Léon Chanal , Emile Vacher and Martin Cayla .
This is a list of folk music traditions, with styles, dances, instruments and other related topics. The term folk music can not be easily defined in a precise manner; it is used with widely varying definitions depending on the author, intended audience and context within a work.
Music school students play on a Paris square Concert at a Paris club, LaPlage de Glazart. Music in the city of Paris, France, includes a variety of genres, from opera and symphonic music to musical theater, jazz, rock, rap, hip-hop, the traditional Bal-musette and gypsy jazz, and every variety of world music, particularly music from Africa and North Africa. such as the Algerian-born music ...
Musette de cour, or baroque musette, a musical instrument of the bagpipe family; Musette bechonnet, a type of French bagpipe; Musette bressane, a type of French bagpipe; Oboe musette or piccolo oboe, the smallest member of the oboe family; Suona, a type of Chinese sorna (double-reeded horn) Bal-musette, a style of French instrumental music and ...
Bal-musette: a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was replaced with accordion, on which a variety of waltzes, polkas, and other dance styles were played for dances. Cabaret by Rodolphe Salis in 1881 in Paris. [22]
The Center-France bagpipes (called in French cornemuse du centre or musette du centre) are of many different types, some mouth blown, some bellows blown; some names for these instruments include chevrette (which means "little goat," referring to the use of a goatskin for its bag), chabrette, chabretta, chabreta, cabreta, bodega, and boha.
Amélie is the soundtrack album to the 2001 film of the same name.. Director Jean-Pierre Jeunet was introduced to the accordion and piano-driven music of Yann Tiersen by his production assistant.