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The SI unit of intensity, which includes sound intensity, is the watt per square meter (W/m 2). One application is the noise measurement of sound intensity in the air at a listener's location as a sound energy quantity. [3] Sound intensity is not the same physical quantity as sound pressure. Human hearing is sensitive to sound pressure which is ...
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While 1 atm (194 dB peak or 191 dB SPL) [11] [12] is the largest pressure variation an undistorted sound wave can have in Earth's atmosphere (i. e., if the thermodynamic properties of the air are disregarded; in reality, the sound waves become progressively non-linear starting over 150 dB), larger sound waves can be present in other atmospheres ...
Sound exposure level (SEL) is a logarithmic measure of the sound exposure of a sound relative to a reference value. Sound exposure level, denoted L E and measured in dB , is defined by [ 1 ]
A graph of the A-, B-, C- and D-weightings across the frequency range 10 Hz – 20 kHz Video illustrating A-weighting by analyzing a sine sweep (contains audio). A-weighting is a form of frequency weighting and the most commonly used of a family of curves defined in the International standard IEC 61672:2003 and various national standards relating to the measurement of sound pressure level. [1]
Multiple noise processes determine the noise floor of a system. Noise can be picked up from microphone self-noise, preamp noise, wiring and interconnection noise, media noise, etc. Early 78 rpm phonograph discs had a dynamic range of up to 40 dB, [24] soon reduced to 30 dB and worse due to wear from repeated play. Vinyl microgroove phonograph ...
Worley noise, also called Voronoi noise and cellular noise, is a noise function introduced by Steven Worley in 1996. Worley noise is an extension of the Voronoi diagram that outputs a real value at a given coordinate that corresponds to the Distance of the nth nearest seed (usually n=1) and the seeds are distributed evenly through the region.
Signal-to-noise ratio (SNR), however, is the ratio between the noise floor and an arbitrary reference level or alignment level. In "professional" recording equipment, this reference level is usually +4 dBu (IEC 60268-17), though sometimes 0 dBu (UK and Europe – EBU standard Alignment level).