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On Naïve and Sentimental Poetry (Über naive und sentimentalische Dichtung) is a 1795–6 paper by Friedrich Schiller on poetic theory and the different types of poetic relationship to the world. The work divides poetry into two forms. Naïve poetry is poetry of direct description while sentimental poetry is self-reflective.
Bereavement is a common theme of sentimental poetry. Friedrich Schiller discussed sentimental poetry in his influential essay, On Naïve and Sentimental Poetry. Isaac Pray described a sentimental poet as "He who plays off the amiable in verse, and writes to display his own fine feelings". [1] Romantic poetry is rooted in and springs from ...
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His lyrical poetry has its roots in Romanian folklore intertwined with Kantian [48] and Schopenhauer's philosophy [49] and Buddhist cosmology. [50] Among his greatest poems are the romantic poems Floare Albastră (1872) and Luceafărul , as well as the series of five philosophical poems called Letters (1881–1890).
Mário Raul de Morais Andrade (October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer.One of the founders of Brazilian modernism, he virtually created modern Brazilian poetry with the publication of his Paulicéia Desvairada (Hallucinated City) in 1922.
Naivety (also spelled naïvety), naiveness, or naïveté is the state of being naive. It refers to an apparent or actual lack of experience and sophistication, often describing a neglect of pragmatism in favor of moral idealism. A naïve may be called a naïf.
His editorial debut was the poetry book Sensul iubirii ("The Aim of Love"), which appeared under the Luceafărul selection, in 1960. He also was the recipient of numerous awards for his verse, the most important being the Herder Prize in 1975 and a nomination for the Nobel Prize in 1980.
The "Type" column is color-coded, with a green font indicating poems for or about friends, a magenta font marking his famous poems about his Lesbia, and a red font indicating invective poems. The "Addressee(s)" column cites the person to whom Catullus addresses the poem, which ranges from friends, enemies, targets of political satire, and even ...