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However, exceptions include Balakirev's Islamey, where players are instructed to execute the glissando upwards across three octaves with their right hands in the Tempo di Trepak section. Due to the slight damage (and resultant pain) which octave glissandi may cause to the flesh of the fifth finger, they are infrequently used in the piano ...
Some terms that are similar or equivalent in some contexts are slide, sweep bend, smear, rip (for a loud, violent glissando to the beginning of a note), [1] lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), [2] plop, or falling hail (a glissando on a harp using the back of the fingernails). [3]
prepared piano, i.e. introducing foreign objects into the workings of the piano to change the sound quality; string piano, i.e. hitting or plucking the strings directly or any other direct manipulation of the strings; sound icon, i.e. placing a piano on its side and bowing the strings with horsehair and other materials
what is the most painless way to play an effective glissando on a piano? —The preceding unsigned comment was added by 67.169.187.230 04:42, 14 March 2007 (UTC). Use the back of your thumb (The thumbnail). Just press down on the note and slide your hand up or down the keyboard. Make sure to use your thumbnail (or any other fingernail).
On a piano, played with the soft pedal depressed Due corde: two strings: On a piano, played with the soft pedal depressed (For why both terms exist, see Piano#Pedals.) Tre corde or tutte le corde: three strings or all the strings: Cancels una corda Glissando: gliding, glossing: A sweeping glide from one pitch to another used for dramatic effect ...
As the main theme in the Liszt biopic Song Without End (1960) The Scott Hicks film Shine (1996), based on the life of David Helfgott; The Jun Ichikawa film Zawa-zawa Shimo-Kitazawa (2000) The 2009 TV show Kings (in the pilot episode, twice) The 2011 film The Green Hornet, when the character Kato is playing the piano with Lenore on their first date
The three-hand effect (or three-hand technique) is a means of playing on the piano with only two hands, but producing the impression that one is using three hands. Typically this effect is produced by keeping the melody in the middle register, with accompanying arpeggios in the treble and bass registers.
In guitar playing (apart from classical guitar) legato is used interchangeably as a label for both musical articulation and a particular application of technique—playing musical phrases using the fretting hand to play the notes—using techniques such as glissando, string bending, hammer-ons and pull-offs instead of picking to sound the notes ...
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