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Chromatic button accordion; Classification: Free-reed aerophone: Playing range; Right-hand manual: The Russian bayan and chromatic button accordions have a much greater right-hand range in scientific pitch notation than an accordion with a piano keyboard: five octaves plus a minor third (written range = E2-G7, actual range = E1-D9, some have a 32 ft Register on the Treble to go even lower down ...
The diatonic button accordion is the most popular type of button accordion, and appears in many cultures, especially in folk music. [3] One popular type of diatonic button accordion is the standard, one-row button accordion. This is tuned to a diatonic, 2.5 octave scale.
A melodeon or diatonic button accordion is a member of the free-reed aerophone family of musical instruments. It is a type of button accordion on which the melody-side keyboard contains one or more rows of buttons, with each row producing the notes of a single diatonic scale.
Right-hand manual: The Russian bayan and chromatic button accordions have a much greater right-hand range in scientific pitch notation than accordions with a piano keyboard: five octaves, plus a minor third (written range = E2-G7, actual range = E1-C#8). [1] Left-hand manual. Stradella bass system; Free-bass system; Musicians; List of accordionists
The British chromatic accordion, the favoured diatonic accordion in Scotland. While the right hand is bisonoric, the left hand follows the Stradella system. The elite form of this instrument is generally considered the German manufactured Shand Morino, produced by Hohner with the input of Sir Jimmy Shand [27]
In 1920s the special government commission took several researches and finally decided that all handicraftsmen had to unite into centralized cooperative factories (artels) and must produce only three types of button accordions: khromka, bayan (chromatic button accordion) and the Russian modification of a German bisonoric diatonic accordion ...
How many reeds an accordion has is specified by the number of treble ranks and bass ranks. For example, a 4/5 accordion has four reeds on the treble side and five on the bass side. A 3/4 accordion has three reeds on the treble sides and four on the bass side. Reed ranks are classified by either organ 'foot-length' stops or instrument names ...
Melodies can be based on a diatonic scale and maintain its tonal characteristics but contain many accidentals, up to all twelve tones of the chromatic scale, such as the opening of Henry Purcell's "Thy Hand, Belinda" from Dido and Aeneas (1689) with figured bass), which features eleven of twelve pitches while chromatically descending by half steps, [1] the missing pitch being sung later.