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The "t" consonant always falls on the main beat and beat division, and the "k" consonant is always when the beat divides again. Alternating "t" and "k" in quick succession is easy to say, as they fall on two different parts of the tongue, making it very easy to say these syllables at a fast tempo (much like tonguing on recorder or flute).
Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter:
Second shortest count off, "& four &", followed by one measure of drum beat for reference. Play (high tom-tom rather than voice) ⓘ A count off, count in, or lead-in is a verbal, [1] instrumental or visual cue used in musical performances and recordings to ensure a uniform entrance to the performance by the musicians [2] and to establish the piece's initial tempo, time signature and style.
For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying two beats every second. The note value of a beat will typically be that indicated by the denominator of the time signature. For instance, in 4 4 time, the beat will be a crotchet, or quarter note.
For uniform beats, the metronome should be placed on a hard, level, unmoving surface, and away from any strong magnets. Small variations in pendulum speed can also result from differences in temperature, air pressure, or gravity. [9] Since Maelzel's era, musical tempo is almost always measured in beats per minute (BPM).
A tempo (or metric) modulation causes a change in the hierarchical relationship between the perceived beat subdivision and all potential subdivisions belonging to the new tempo. Benadon has explored some compositional uses of tempo modulations, such as tempo networks and beat subdivision spaces. [8]
From 1927 and forward the recognized definition of "Counter Rhythm [53]" is "A subordinate rhythm acting as a counterbalance to the main rhythm" (OED [53]). Counter Rhythm is not a common word or phrase in the English Language, appearing approximately 0.01 times per million words in modern written English. Counter Rhythm has been on a steady ...
Metrical rhythm, measured rhythm, and free rhythm are general classes of rhythm and may be distinguished in all aspects of temporality: [14] Metrical rhythm , by far the most common class in Western music, is where each time value is a multiple or fraction of a fixed unit (beat, see paragraph below), and normal accents reoccur regularly ...