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Maxfield Parrish (July 25, 1870 – March 30, 1966) was an American painter and illustrator active in the first half of the 20th century. He is known for his distinctive saturated hues and idealized neo-classical imagery.
The dimensions of the Butts set, also known as the "large set", are 19.5x15.5 inches, nearly twice that of the Thomas set. Dated 1808, they were commissioned from Blake by his patron Thomas Butts, who also commissioned many paintings on biblical themes from Blake. In the early 1850s, Butts' son Thomas Butts Jr. offered the individual paintings ...
Albert Gleizes, 1912, Les Baigneuses, oil on canvas, 105 x 171 cm, Paris, Musée d'Art Moderne de la Ville de Paris (black and white).jpg 1,358 × 841; 290 KB Alejandro de castro.jpg 1,632 × 2,296; 236 KB
New York Black & white images survive Comper, Ninian Rood screen, with sixteen paintings: 1912 [75] 1993: Bishopsgate bombing: Part of St Ethelburga's Bishopsgate, City of London. [76] Black & white images survive Csaky, Joseph Head (Tête d'homme) 1913: 1913 Salon des Indépendants, Paris, Galerie Moos, Geneva, 1920. Black & white images survive
The collection contains roughly 5,500 paintings by 1,400 artists born before 1900, and over 500 named artists are French by birth. For painters with more than two works in the collection, or for paintings by unnamed and unknown artists, see the Louvre website.
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An ancient oak stands at the centre of the painting, clearly damaged but still standing. The tree's branches, dark in silhouette, project into the largely overcast morning sky. Banks of cloud seem to form a dome above the tree. The crown of the tree is dead, and the top of its trunk and two truncated branches resemble a cross.
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