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2. Microphone practice - Wikipedia

   en.wikipedia.org/wiki/Microphone_practice

   X-Y microphone capsules can be mounted in one unit, or even on the top of a handheld digital recorder. M/S arrays can be very compact and fit easily into a standard blimp windscreen, which makes boom-operated stereo recordings possible. They provide a variable soundstage width to match a zoom lens, which can be manipulated in post-production ...

3. Boom operator (media) - Wikipedia

   en.wikipedia.org/wiki/Boom_operator_(media)

   The principal responsibility of the boom operator is microphone placement, usually using a boom pole (or "fishpole") with a microphone attached to the end (called a boom mic), their aim being to hold the microphone as close to the actors or action as possible without allowing the microphone or boom pole to enter the camera's frame. [1]

4. Presence (sound recording) - Wikipedia

   en.wikipedia.org/wiki/Presence_(sound_recording)

   A microphone placed in two different parts of the same room will record two distinct presences. This is because of the unique spatial relationship between the microphone and boundaries such as walls, ceilings, and floors, and other objects in a room. [2] Presence is recorded during the production stage of filmmaking.

5. Binaural recording - Wikipedia

   en.wikipedia.org/wiki/Binaural_recording

   For listening using conventional speaker-stereo, or MP3 players, a pinna-less dummy head may be preferable for quasi-binaural recordings such as the sphere microphone or Ambiophone. As a general rule, for true binaural results, an audio recording and reproduction system chain, from the microphone to the listener's brain, should contain one and ...

6. Production sound mixer - Wikipedia

   en.wikipedia.org/wiki/Production_sound_mixer

   Sound mixer at work. A production sound mixer, location sound recordist, location sound engineer, or simply sound mixer is the member of a film crew or television crew responsible for recording all sound recording on set during the filmmaking or television production using professional audio equipment, for later inclusion in the finished product, or for reference to be used by the sound ...

7. ORTF stereo technique - Wikipedia

   en.wikipedia.org/wiki/ORTF_stereo_technique

   [1] The microphones should be as similar as possible, preferably a frequency-matched pair of an identical type and model. The result is a realistic stereo field that has reasonable compatibility with mono playback. Since the cardioid polar pattern rejects off-axis sound, less of the ambient room characteristics are picked up.