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SATB/SATB" is used when a double choir is required, as in Penderecki's Polish Requiem. [6] or SSATB, with divided sopranos, is a typical scoring in English church music. [5]: 322 [7] A listing for Bach's Mass in B minor includes the maximum of SSATB soloists and SSAATTBB eight-part choir and also indicates that it contains choral movements for ...
The Choral Public Domain Library (CPDL), also known as the ChoralWiki, is an online database for choral and vocal music. Its contents primarily include sheet music in the public domain or otherwise freely available for printing and performing (such as via permission from the copyright holder).
James Welsh Pepper was born in Philadelphia in 1853, and died in the same city on July 28, 1919. He was an American music publisher and musical instrument maker. [1]In 1876, Pepper founded a publishing house in his home city which printed music tutorial books and a magazine called Musical Times, which ceased production in 1912.
Choral: An Hour to Dance for SATB chorus and piano; Harlem Songs for SATB chorus and piano; Love -- By the Water for SATB chorus and piano; Three Days by the Sea for SATB chorus and piano; This Train for SATB chorus; God's Grandeur for SATB chorus on the CD An Hour to Dance; Now Let Us Sing! for SSA chorus, brass quintet, percussion, and piano
Six Choral Songs, Op.9 Spring is Cheery [SATB] She's Up and Gone [SATB] I Will Woo the Rose [SATTB] Gentle Spring [SSA] Woodlark [SSA] Thro' Groves Sequestered [SSATB] Eight Choral Songs, Op.16b The Labourer's Song [SATB] Some Folks [SSAA] The Wanderers [SSAA] In Fairyland [TTBB, originally assigned as Op.47 No.4 [11]] The Hour [SATB] Rag and ...
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It is written for SATB choir a cappella with three, four and five-part divisi in vocal sections. The text is from Octavio Paz's poem Agua nocturna, adapted by Whitacre and translated by Muriel Rukeyser. According to Whitacre, "[t]he music sounded in the air" as he read the poem. [1] Whitacre dedicated this composition to his friend Dr. Bruce ...
Abendlied (Evening song), Op. 69/3, is a sacred motet by Josef Rheinberger for a six-part mixed choir ().It has been regarded as his best-known sacred composition. [1] He wrote the first version in 1855 at the age of 15.