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Diana Bathing with her Nymphs with Actaeon and Callisto is a 1634 painting by the Dutch painter Rembrandt van Rijn. It is now in the Salm-Salm princely collection in the Wasserburg Anholt in Anholt, Germany. It shows two episodes from Ovid's Metamorphoses, in both of which someone is punished by the goddess Diana for a sexual offence.
Old Man with a Gold Chain is a portrait by Rembrandt, painted in oils on canvas around 1631. It is now in the Art Institute of Chicago. This painting was documented by Hofstede de Groot as a portrait of Rembrandt's father in 1915, who wrote: 675. HARMEN GERRITSZ VAN RIJN. Half-length, without hands; almost life size.
Rembrandt Laughing is a c. 1628 oil on copper painting by the Dutch painter Rembrandt van Rijn. It is an elaborate study of a laughing face, a tronie , and, since it represents the painter himself, one of over 40 self-portraits by Rembrandt , probably the earliest elaborate one.
Portrait of Jan Six is a 1654 oil-on-canvas painting by the Dutch painter Rembrandt van Rijn.Having been handed down many generations, via the direct descendants of the portrait's subject, Jan Six, the work remains in the Six Collection in Amsterdam.
Lucretia is a 1666 history painting by the Dutch Golden Age painter Rembrandt Harmensz van Rijn. It is an oil painting on canvas that depicts a myth about a woman named Lucretia who lived during the ancient Roman eras. She committed suicide to defend her honor after being raped by an Etruscan king's son.
Inscribed Rembrandt ft. 1637 Self-Portrait: c. 1637: Red chalk: 12.9 x 11.9 cm: National Gallery of Art, Washington: The drawing is related to the etching B002 : Study of Russian Costume: c. 1637?? Morgan Library, New York: Inscribed in ongenaeden synden en werden niet geschooren Studies of Grieving Marys: c. 1637: Pen in brown and red chalk ...
The Parable of the Rich Fool (1627) by Rembrandt. The Parable of the Rich Fool, also known as The Money Changer, [1] is an oil painting on canvas of 1627 by Rembrandt, now in the Gemäldegalerie, Berlin. [2] Produced early in the artist's career, it depicts the eponymous Biblical parable. The model for the figure is said to have been Rembrandt ...
The Abduction of Europa is Rembrandt's reinterpretation of the story, placed in a more contemporary setting. Rembrandt developed an interest in the classical world early in his life while in Amsterdam [2] which was a growing business-oriented center, and where he found work with great success.