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"In Dreams" is a song composed and sung by singer Roy Orbison. An operatic rock ballad of lost love, it was released as a single on Monument Records in February 1963. It became the title track of the album In Dreams , released in July of the same year.
Monroe recorded the first version of the song with his orchestra in May 1954. " Mr. Sandman " (or " Mister Sandman ") is a popular song written by Pat Ballard and published in 1954. It was first recorded in May of that year by Vaughn Monroe & his orchestra and later that year by The Chordettes and the Four Aces .
"Dreams" is a song by the British-American rock band Fleetwood Mac, written and sung by Stevie Nicks for the band's eleventh studio album, Rumours (1977). In the United States, "Dreams" was released as the second single from Rumours in March 1977, while in the United Kingdom, the song was released as the third single in June 1977. [ 3 ]
The lyrics recount the tale of a nameless narrator being visited in his dreams by the "hurdy gurdy man" and his close associate, the "roly poly man", who come "singing songs of love". The song invokes "histories of ages past" with "unenlightened shadows cast" and the "crying of humanity" through "all eternity", and says " 'tis then when the ...
I'll See You In My Dreams by J.Grandgagnage on tenor sax Sheet music cover, 1924 "I'll See You in My Dreams" is a popular song and jazz standard, composed by Isham Jones, with lyrics by Gus Kahn, and published in 1924. It was recorded on December 4 that year, by Isham Jones conducting Ray Miller's Orchestra.
Jane’s Addiction playing Stanhope, New Jersey in 1991. From left, Dave Navarro on electric guitar, a Greek goddess on fruit, Eric Avery on bass guitar, and singer Perry Farrell on mouth.
In Dreams is a jukebox musical with a book by David West Read and featuring the songs of Roy Orbison.The musical uses the songs of Orbison to tell a modern-day story about Kenna, the former lead singer of a country rock band, who reconnects with her old friends at a family-run Mexican restaurant.
Like many Radiohead songs, "Creep" uses pivot notes, creating a "bittersweet, doomy" feeling. [4] The G–B–C–Cm chord progression is repeated throughout, alternating between arpeggiated chords in the verses and last chorus and distorted power chords during the first two choruses. In G major, these may be interpreted as "I–V7/vi–IV–iv".