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"The Horses" is a song written by Rickie Lee Jones and Walter Becker. It was originally performed by Jones on her 1989 album, Flying Cowboys . While not released as a single, the original version did appear in the 1996 film Jerry Maguire and was also included on the film's soundtrack.
In the 1934 collection American Ballads and Folk Songs, ethnomusicologists John and Alan Lomax give a version titled "All the Pretty Little Horses" and ending: 'Way down yonder / In de medder / There's a po' lil lambie, / De bees an' de butterflies / Peckin' out its eyes, / De po' lil thing cried, "Mammy!"' [5] The Lomaxes quote Scarborough as ...
In both songs the title horse is the underdog in the race, up against a favored grey mare (usually called either "Griselda" or "Molly"), and although in most versions of Stewball the winning horse triumphs due to the stumbling of the lead horse, Skewball wins simply by being the faster horse in the end.
Unhitch the horses, boys, And go to bed to rest, And I will go to the green garden To the green garden to dig a well. I dug, dug the well In the cherry orchard. Will the little girl come, Early in the morning for water? The girl came, came, To take water in the cherry orchard, And behind her the Cossack Leads the horse to the water.
"All the Tired Horses" is a song written by Bob Dylan, released on his 1970 double album Self Portrait. The song is the first track on the album. It is most notable for its absence of Dylan's singing. It consists of a small choir of female voices (Hilda Harris, Albertine Robinson, and Maeretha Stewart) [1] repeating the same two lines
The same is true when horse B is removed. However, the statement "the first horse that was excluded is of the same color as the non-excluded horses, who in turn are of the same color as the other excluded horse" is meaningless, because there are no "non-excluded horses" (common elements (horses) in the two sets, since each horse is excluded once).
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"Crazy Horses" is a song by the Osmonds, the title track from the album of the same name. It was released as the album's second single and reached number 14 on the US Billboard Hot 100 [2] and number 2 on the UK Singles Chart. [3] The song is the only hit record from the Osmonds to feature Jay Osmond as lead vocalist. It has since been covered ...