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The Scapegoat is a 1959 British mystery film directed by Robert Hamer and starring Alec Guinness, Nicole Maurey and Bette Davis. [ 2 ] [ 3 ] [ 4 ] The screenplay was by Hamer and Gore Vidal based on the 1957 novel of the same name by Daphne du Maurier .
The subject mimics the model, and both desire the object. Subject and model thus form a rivalry which eventually leads to the scapegoat mechanism. The scapegoat mechanism has one requirement for it to be effective in restoring the peace; all participants in the removal of the scapegoat must genuinely believe that he is guilty.
The Scapegoat is a 1957 novel by Daphne du Maurier. In a bar in France, a lonely English academic on holiday meets his double, a French aristocrat who gets him drunk, swaps identities and disappears, leaving the Englishman to sort out the Frenchman's extensive financial and family problems.
René Noël Théophile Girard (/ ʒ ɪəˈr ɑːr d /; [2] French:; 25 December 1923 – 4 November 2015) was a French historian, literary critic, and philosopher of social science whose work belongs to the tradition of philosophical anthropology.
The Scapegoat is a British film adaptation of Daphne du Maurier's 1957 novel of the same name. The drama is written and directed by Charles Sturridge and stars Matthew Rhys as lookalike characters John Standing and Johnny Spence. It was broadcast on ITV on 9 September 2012.
Appreciated in the United States by psychologists and psychiatrists of the ¨relational¨ school, Jean-Michel Oughourlian has participated actively since it was founded in the Colloquium on Violence and Religion (COVR), an association of researchers who are interested in René Girard's mimetic theory of founding violence and the scapegoat ...
The Scapegoat, translated work by Arvid Paulson from August Strindberg's Syndabocken "The Scapegoat", a study of collective violence by René Girard; The Scapegoat (Du Maurier novel), a 1957 novel by Daphne du Maurier; Scapegoat, an investigation into the trial of Richard Hauptmann
Girard's work focused on the sources of human violence in mimetic (unconsciously imitative) desire and the centrality of religion in the formation of culture through the management of violence (the single-victim mechanism or scapegoat effect), but the scope of the Colloquium on Violence & Religion's interest has expanded beyond violence to ...