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It peaked at number two on the Billboard 200, [2] and number one on the Top R&B/Hip-Hop Albums, [3] and was certified platinum by the RIAA. [9] It was Jodeci's only album to chart outside of the United States, peaking at number four on the UK Albums Chart [10] and appearing on the Australian ARIA Albums Chart [11] and the Dutch Mega Album Top ...
Back to The Future: The Very Best of Jodeci is a greatest hits LP for R&B group Jodeci, released by Universal Records in 2005. The original compilation was to include the song "That Thang", which featured rap artists Trick Daddy and Trina. The song was replaced with "Good Luv", due to Atlantic Records having ownership of "That Thang".
The group's version of the song was released as a promotional single, claiming the number one spot on the Hot R&B/Hip-Hop Singles & Tracks chart as the group's fourth number one R&B hit. It was also Jodeci's highest peaking pop hit, reaching number four on the Billboard Hot 100 in August 1993. [32]
It should only contain pages that are Jodeci songs or lists of Jodeci songs, as well as subcategories containing those things (themselves set categories).
"Come and Talk to Me" is a song by American R&B group Jodeci from their debut album Forever My Lady (1991). The song was the fourth single released in promotion for the album in March 1992. As the third number one R&B hit for Jodeci, "Come and Talk to Me" spent two weeks at the number 1 spot on the R&B chart for and peaked at 11 on the Hot 100.
SPOILER WARNING: This story discusses minor plot details for “Mufasa: The Lion King,” now in theaters. Lin-Manuel Miranda and composer Dave Metzger both knew the mighty musical legacy they had ...
Three of the album's singles charted on the Billboard Hot 100, including the top-15 hit "Come and Talk to Me". Forever My Lady was certified multi-platinum by the Recording Industry Association of America and, as of August 1995, has sold over three million copies in the US and over eight million copies worldwide.
The album was certified Platinum by September 1995. [8]Ron Wynn of Allmusic felt the album itself was poorly edited and sequenced, and though he was critical of the group's overindulgent tendencies and refusal to emphasize radio hits, still stated the album had enough good moments "to make it worthwhile for most urban contemporary listeners."