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Dolby Atmos soundbars take things a step further with numbers like 5.1.2 or 7.1.4. These extra digits represent the number of height channels (usually 2 or 4) that create a more realistic, three ...
The top-end Elite Pro model was aimed at musicians, bundled with the X-Fi external I/O box (offering phono with preamp inputs for turntables, high-impedance input for guitars, 1 ⁄ 4 inch mic input, headphone output, line-in, and full size MIDI I/O, as well as optical and RCA Coaxial digital inputs and outputs), and remote control.
Dolby Atmos home theaters can be built upon conventional 5.1 and 7.1 layouts. For Dolby Atmos, the nomenclature differs slightly by an additional number at the end, that represents the number of overhead or Dolby Atmos enabled speakers: a 7.1.4 Dolby Atmos system is a conventional 7.1 layout with four overhead or Dolby Atmos enabled speakers.
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Auro 11.1 is a channel-based system and thus differs in capability compared to competing formats such as Dolby Atmos and DTS:X. The height layer allows for placement of background reflections and reverberations observed in nature as well as allowing for smooth panning from the base layer to the ceiling.
The company, established in 1973, is one of the best-known hi-fi manufacturers in the UK. [8] Its first product was a power amplifier named NAP 160; this was soon followed by the NAC 12 pre-amplifier. [8] Until 1985, Naim's activity was centred on audio amplifiers.
In 2019, Nakamichi released 3 new Shockwave soundbar models, the Shockwave Ultra 9.2.4 SSE, Shockwave Elite 7.2.4 SSE and Shockwave Pro 7.1.4 SSE. Besides retaining the features of the 2018 models, all of the 2019 versions are integrated with Dolby Atmos, Dolby Vision and proprietary Spatial Surround Elevation (SSE) processing technology.
A prototype for five-channel surround sound, then dubbed "quintaphonic sound", was used in the 1975 film Tommy. [6]5.1 dates back to 1976, [7] when Dolby Labs modified the track usage of the six analogue magnetic soundtracks on Todd-AO 70 mm film prints.
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