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Pickaninny (also picaninny, piccaninny or pickininnie) is a pidgin word for a small child, possibly derived from the Portuguese pequenino ('boy, child, very small, tiny'). [1] It has been used as a racial slur for African American children and a pejorative term for Aboriginal children of the Americas, Australia, and New Zealand.
Pages for logged out editors learn more. Contributions; Talk; Pickanniny
Pickaninny, also spelled picaninny, piccaninnie, piccaninny, and pickaninnie, is a derogatory term for a black child. It may also refer to: Piccaninny crater, impact structure in Western Australia; Pickaninny Buttes, summit in California; Piccaninny tribe, fictional Native American tribe in the children's novel Peter and Wendy
Pride: Srđan and Zorica are a married couple who are 3 questions away from the prize in a quiz worth 4 million Serbian dinars. However, Zorica can't acknowledge the fact that her husband is the only one answering the questions, who seemingly knows everything.
It is the sequel to the 2010 film Montevideo, God Bless You! It was selected as the Serbian entry for the Best Foreign Language Film at the 87th Academy Awards , but was not nominated. [ 1 ] [ 2 ] See You in Montevideo was shot over a number of locations, Paraćin , Belgrade , Ulcinj , Trieste , and also the Spanish Island of Tenerife .
The article opens: Pickaninny (also pickaninny, pickaninny or pickaninny) is a word ... I don't know what the intended list of alternate forms should contain. Perhaps an editor has fallen afoul of some kind of spell-check or auto-correction. 122.148.227.2 10:43, 3 November 2020 (UTC) Seems fine to me.
Ni na nebu, ni na zemlji. In the middle of nowhere. Miloš Miša Radivojević: Svetozar Cvetković, Branislav Lečić, Zoran Cvijanović: Drama Rođen kao ratnik. Born to be a warrior. Guido Zurli: Rik Battaglia, Slobodan Ćustić, Goran Daničić: Action, Drama Skerco: Mladomir Puriša Đorđević: Dragomir Čumić, Lidija Boričić, Mirčeta ...
The film is mystifyingly abrupt in its transitions, but its effects, physical and intellectual, are unmistakably forceful and chilling. The director, Aleksandar Petrovic, with the aid of a sparse script and stunning photography by Tomislav Pinter, has pointed up war’s ravages as it affects one partisan’s fights in one small sector of the ...