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"Carol of the Bells" is a popular Christmas carol, which is based on the Ukrainian New Year's song "Shchedryk". The music for the carol comes from the song written by the Ukrainian composer Mykola Leontovych in 1914; the English-language lyrics were written in 1936 by American composer of Ukrainian origin Peter Wilhousky.
Although "Carol of the Bells" uses the melody from "Shchedryk", the lyrics of these two songs have nothing in common. The ostinato of the Ukrainian song suggested to Wilhousky the sound of ringing bells, so he wrote lyrics on that theme. Several other lyricists have written for the same melody, usually retaining Wilhousky's bell theme.
The Ukrainian carol most known in the Western world is the "Carol of the Bells", with English lyrics by the American composer of Ukrainian descent Peter J. Wilhousky, composed by the Ukrainian composer Mykola Leontovych as "Shchedryk", and premiered in December 1916 by a choral group made up of students at Kyiv University.
That’s how those lyrics ended up in “Little Drummer Boy.” The version performed by Jack Halloran Singers in 1957 turned the song into a global hit. " Carol of the Bells "
Still, hope prevails, as seen in the lyrics: “Then rang the bells more loud and deep / God is not dead, nor doth He sleep.” 'Carol of the Bells' Believe it or not, “Carol of the Bells ...
This carol is reminiscent of church bells ringing, and is quite catchy! ... This joyful carol celebrates the birth of Jesus through a blending of Latin and German lyrics. 48. "Sussex Carol ...
Both of the tunes used in "Christmas Eve/Sarajevo 12/24" were in the public domain in 1995: "Shchedryk" was released in 1918 (although the English lyrics to "Carol of the Bells," dating to 1936, were still under copyright and were not included in the recording), while "God Rest Ye Merry, Gentlemen" dated back several centuries.
The English version, known as "Carol of the Bells", has been arranged over 150 times since 2004. [28] [1] The carol is one of the 25 most frequently performed Christmas songs of the 20th century. As listed by the American Society of Composers, Authors and Publishers (ASCAP), it ranked number 15. [29]