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The proximity effect in audio is an increase in bass or low frequency response when a sound source is close to a directional or cardioid microphone. [1] [2] Proximity effect is a change in the frequency response of a directional pattern microphone that results in an emphasis on lower frequencies. It is caused by the use of ports to create ...
The simplest way to change the duration or pitch of an audio recording is to change the playback speed. For a digital audio recording, this can be accomplished through sample rate conversion. When using this method, the frequencies in the recording are always scaled at the same ratio as the speed, transposing its perceived pitch up or down in ...
A microphone’s sensitivity varies with frequency (as well as with other factors such as environmental conditions) and is therefore normally recorded as several sensitivity values, each for a specific frequency band (see frequency spectrum). A microphone’s sensitivity can also depend on the nature of the sound field it is exposed to.
In the UK, the use of wireless microphone systems requires a Wireless Telegraphy Act license, except for the license-free bands of 173.8–175.0 MHz and 863–865 MHz. These license-free bands are sometimes referred to as "Channel 70" (not to be confused with TV Channel 69, which operated on 854–862 MHz and always required a license from JFMG ...
In the talk box effect, amplified sound is actually fed via a tube into the performer's mouth and is then shaped by the performer's lip, tongue, and mouth movements before being picked up by a microphone. In contrast, the vocoder effect is produced entirely electronically.
Treble describes tones of high frequency or high pitch, ranging from 6 kHz to 20 kHz, [1] comprising the higher end of the human hearing range. In music, this corresponds to high notes. The treble clef is often used to notate such notes. [2] Treble sound is the counterpart to bass sound.
The Photoshop and illusions.hu flavors also produce the same result when the top layer is pure white (the differences between these two are in how one interpolates between these 3 results). These three results coincide with gamma correction of the bottom layer with γ=2 (for top black), unchanged bottom layer (or, what is the same, γ=1; for ...
The microphone kit (two SM57 microphones, windscreens, microphone stands, and black right-angle XLR cables) is referred to as the VIP/high-profile microphone kit. The SM57 is a popular choice of musicians due to its sturdy construction and ability to work well with instruments that produce high sound pressure levels , such as percussion ...