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Dream Analysis: Notes of the Seminar Given in 1928–1930 is a book by Swiss psychiatrist, Carl Gustav Jung. It was first published in English in 1984. [1] In 1991, it was translated and published in the German language. [2] Its overall premise is to provide further clarification upon Jung's dream analysis methods.
Jung stressed the importance of context in dream analysis. Jung stressed that the dream was not merely a devious puzzle invented by the unconscious to be deciphered, so that the true causal factors behind it may be elicited. Dreams were not to serve as lie detectors, with which to reveal the insincerity behind conscious thought processes.
Hall with Jungian Dream Interpretation (1983), Mary Ann Matoon in Understanding Dreams (1978), Strephon Kaplan-Williams (Durch Traumarbeit zum eigenen Selbst in 1981), E. G. Whitmont and S. B. Perera's Dreams, A Portal to the Source (1989) and Harry Wilmer's How Dreams Help (1999) shed new light on analytical psychology.
Jungian analysis is, like psychoanalysis, a method to access, experience and integrate unconscious material into awareness. It is a search for the meaning of behaviours, feelings and events. Many are the channels to extend knowledge of the self: the analysis of dreams is one important avenue.
Federico Fellini brought to the screen exuberant imagery shaped by his encounter with Jung's ideas, especially Jungian dream interpretation. Fellini preferred Jung to Freud because Jungian analysis defined the dream not as a symptom of a disease that required a cure but rather as a link to archetypal images shared by all of humanity. [239]
Carl Jung standing in front of Burghölzli clinic, Zurich 1909. Jung's intuition that there was more to psyche than individual experience may have originated in his childhood. [12] He had dreams that seemed to come from a source outside himself, and one of his earliest memories was of a dream about an underground phallic god.
In Jungian dream analysis, big dreams (German: große Träume) [1] are dreams which have a strong impact on the dreamer and contain heavily archetypal imagery. Background [ edit ]
Embodied imagination is a therapeutic and creative form of working with dreams and memories pioneered by Dutch Jungian psychoanalyst Robert Bosnak [1] [2] and based on principles first developed by Swiss psychiatrist Carl Jung, especially in his work on alchemy, [3] and on the work of American archetypal psychologist James Hillman, who focused on soul as a simultaneous multiplicity of ...