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  2. Niyoga - Wikipedia

    en.wikipedia.org/wiki/Niyoga

    Niyoga (Sanskrit: नियोग) was a Hindu practice, primarily followed during the ancient period. It was permitted for the widows or wives who had no child by their spouse to procreate a child with another man.

  3. Yazh - Wikipedia

    en.wikipedia.org/wiki/Yazh

    The yazh (Tamil: யாழ், also transliterated yāḻ, pronounced) is a harp used in ancient Tamil music.It was strung with gut strings that ran from a curved ebony neck to a boat or trough-shaped resonator, the opening of which was a covered with skin for a soundboard.

  4. Raga - Wikipedia

    en.wikipedia.org/wiki/Raga

    While ragas in Hindustani music are divided into thaats, ragas in Carnatic music are divided into melakartas. A raga ( IAST : rāga , IPA: [ɾäːɡɐ] ; also raaga or ragam or raag ; lit. ' colouring ' or ' tingeing ' or ' dyeing ' [ 1 ] [ 2 ] ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode . [ 3 ]

  5. List of ragas in Hindustani classical music - Wikipedia

    en.wikipedia.org/wiki/List_of_ragas_in...

    This is a list of various Ragas in Hindustani classical music. There is no exact count/known number of ragas which are there in Indian classical music. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music. Many ...

  6. Glossary of Carnatic music - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_Carnatic_music

    Sthāyi refers to an octave of music. There are 5 sthāyis in Carnaatic music, namely, Anumandara (lowest), Mandara (literally means chant, which means lower), Madhya (literally means middle), Taara (means higher) and Athitaara (meaning very high). Most artists sing over two octaves or two and a half octaves range (within Mandra, Madhya and ...

  7. Mridangam - Wikipedia

    en.wikipedia.org/wiki/Mridangam

    One of the highlights of a modern Carnatic music concert is the percussion solo (thani avarthanam), where the mridangam artist and other percussionists such as kanjira, morsing, and ghatam vidwans exchange various complex rhythmic patterns, culminating in a grand finale where the main artist resumes where he or she left off. [citation needed]

  8. Music of Chhattisgarh - Wikipedia

    en.wikipedia.org/wiki/Music_of_Chhattisgarh

    Hence, music is a significant part of the cultural heritage of Chhattisgarh, with it being seen as a means to which this freedom may be achieved. [ 12 ] Further, the cultural significance of music within Chhattisgarh is shown through various famous lyrics still being available to us as a result of the oral storytelling and passing on of these ...

  9. Music of Manipur - Wikipedia

    en.wikipedia.org/wiki/Music_of_Manipur

    Manipur is a region of North-East India.Some varieties of folk music from the area include the rural love songs Khullang Eshei, the rhythmic Lai Haraoba eshei, which contain lyrics with veiled references to erotic mysticism and pena eshei, which is accompanied by a pena, an instrument made from a bamboo rod and the shell of a gourd or coconut.