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The Dog and Its Reflection (or Shadow in later translations) is one of Aesop's Fables and is numbered 133 in the Perry Index. [1] The Greek language original was retold in Latin and in this way was spread across Europe, teaching the lesson to be contented with what one has and not to relinquish substance for shadow.
The story was also made the subject of one of La Fontaine's Fables (Le loup et le chien, I.5), in which Master Wolf, on learning the forfeit necessary, "took to its heels and is running yet". [6] In modern times the text has been set for piano and high voice by the French composer Isabelle Aboulker .
A painting of the fable in a Greek manuscript, c.1470. The Cock, the Dog and the Fox is one of Aesop's Fables and appears as number 252 in the Perry Index.Although it has similarities with other fables where a predator flatters a bird, such as The Fox and the Crow and Chanticleer and the Fox, in this one the cock is the victor rather than victim.
There were later a stack of Latin retellings, but when La Fontaine related the story he preferred to underline the moral by calling it "The dog that left its prey for the shadow". Caxton (1484) keeps to the meaning of the Greek title - Of the dogge and of the pyece of flessh - while later English authors seem to have been influenced by La Fontaine.
A variant story attributed to Aesop exists in Greek sources. This is the fable of the cock and the cat, which is separately numbered 16 in the Perry Index. [11] Seeking a reasonable pretext to kill the cock, the cat accuses it of waking people early in the morning and then of incest with its sisters and daughters.
"Investigations of a Dog" (German: "Forschungen eines Hundes") is a short story by Franz Kafka written in 1922. It was published posthumously in Beim Bau der Chinesischen Mauer ( Berlin , 1931). The first English translation by Willa and Edwin Muir was published by Martin Secker in London in 1933.
“Dogs that are adaptable and comfortable in any environment are often a reflection of an owner that gets out and about a lot and spends a lot of time away from home,” Zakar tells Parade ...
The tale with its three episodes does not present illustrators with many possibilities other than showing the two animals looking at each other and showing various emotional states. The possibilities of the Mediaeval convention of showing all the episodes in a composite design is made use of in the late 15th century Greek manuscript known as ...