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Annesley Hall is the all-female residence at Victoria College, University of Toronto. The residence is located across from the Royal Ontario Museum and is designated a National Historic Site of Canada. [1] Built in 1903 in the Queen Anne style, Annesley Hall is the first university residence built for women in Canada. [2]
The Centre for Experimental Art and Communication (CEAC) was a Canadian artist-run centre that developed out of the Kensington Arts Association (KAA) [1973-1978] in 1976 as a multimedia space that provided an important venue for experimental and avant-garde art in Toronto, Ontario and beyond. [1]
The north end of Queen's Park: 1923: Eric Haldenby, Alvan Mathers War memorial: White granite: 2m tall, 8m long [1] [2] More images: Adam Beck Memorial: In the landscaped median of University Avenue just south of Queen Street West
The Great Hall is a music and cultural events venue in Toronto, Ontario, Canada.Built in 1889 by Gordon & Helliwell for the West End branch of the Toronto Young Men's Christian Association, the building has served as the headquarters of several organizations throughout its history, including the Royal Templars of Temperance, the Independent Order of Foresters, and the Polish National Union.
The first galleries adjacent to The Grange were opened in 1918. In the next year, the museum was renamed the Art Gallery of Toronto, in an effort to avoid confusion with the Royal Ontario Museum, itself also an art museum. [13] In 1920, the museum also allowed the Ontario College of Art to construct a building on
From 2001 to 2014, Tiana Koffler Boyman was the Board Chair. From 2006 to 2013, Lori Starr, former Senior Vice President and Museum Director, Skirball Cultural Center (2001–2006) and former Director of Public Affairs and Communications, the J. Paul Getty Museum and J. Paul Getty Trust, Los Angeles (1986–2001), was the Executive Director.
Cossman, Brenda (1995), Censorship and the arts : law, controversy, debate, facts, Toronto: Ontario Assoc. of Art Galleries, ISBN 0-9694987-9-9; Agnew, Ella (1991), Legaleasy : a step-by-step legal guide to collecting for Canadian art galleries and museums, Toronto: Ontario Association of Art Galleries, ISBN 0-9694987-1-3
The epitome of the starving artist, he had been persuaded to quit the Grip Ltd art design agency, take up residence in the Studio Building, and devote his energies, full-time, to his art. MacCallum financially supported Thomson, who initially shared studio 1 with A.Y. Jackson, for the first twelve months.
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