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Manichaeism presents an elaborate conflict between the spiritual world of light and the material world of darkness. The beings of both the world of darkness and the world of light have names. There are numerous sources for the details of the Manichaean belief [example needed].
Chinese Manichaeism, also known as Monijiao (Chinese: 摩尼教; pinyin: Móníjiào; Wade–Giles: Mo 2-ni 2 Chiao 4; lit. 'religion of Moni') or Mingjiao (Chinese: 明教; pinyin: Míngjiào; Wade–Giles: Ming 2-Chiao 4; lit. 'religion of light or 'bright religion'), is the form of Manichaeism transmitted to and currently practiced in China.
The Xiabuzan (Chinese: 下部讚 [1]) is a Chinese Manichaean hymn scroll found by British archaeologist Aurel Stein in the Mogao Grottoes. It contains a series of hymns used in religious ceremonies. It is currently held at the British Library, where it is catalogued as number S.2659. [2] [3]
They first became known to academia and the general public in October 2008. Today in Baiyang Township, the texts are used for rituals conducted for Lin Deng 林瞪 in the three villages of Baiyang 柏洋村, Shangwan 上万村, and Tahou 塔后村. [1] Additional Manichaean manuscripts were discovered in neighboring parts of Fujian after 2008.
The Dunhuang Manichaean texts refers to three Manichaean manuscripts of the Tang dynasty found in the Buddhist scripture cave of Mogao Grottoes in Dunhuang. [1] Chinese Manichaean hymn scroll; Incomplete scripture of Manichaeism; Manichaean Compendium; Irk Bitig a Turkic divination text written in the Old Turkic script.
Eight silk hanging scrolls with Manichaean didactic images from southern China from between the 12th and the 15th centuries, which can be divided into four categories: Two single portraits (depicting Mani and Jesus) Icon of Mani; Manichaean Painting of the Buddha Jesus; One scroll depicting Salvation Theory (Soteriology)
Zsuzsanna Gulácsi states in her article A Visual Sermon on Mani's Teaching of Salvation: . The Manichaean origin of this Chinese painting is unquestionable for three principal reasons: its dedicatory inscription that bestowed the object on a Chinese Manichaean temple most likely at Ningbo, in Zhejiang province; the iconography of its main deity, Mani, as well as that of the elect (Manichaean ...
Following the discovery of Manichaean paintings in Turfan, art historian Thomas W. Arnold suggested that the Manichaean tradition of illustrative bookmaking was the source of Persian miniature painting style during the time of the Safavid Empire. Arnold stated: "The only other religious art that could have produced these pictures was the ...