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Documentary film about the First World War, produced by Color Films Ltd., successor to the Natural Color Kinematograph Company. Some scenes were reused from the pre-war period, but many were shot during the war, particularly on the Western Front. The film was released shortly after the outbreak of war in 1914 and was constantly updated with new ...
Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color. The first color cinematography was by additive color systems such as the one patented by Edward Raymond Turner in 1899 ...
Two months later, the first Kinemacolor programme was shown in Tokyo. Toyo Shokai reformed itself as Tenkatsu in March 1914 and produced primarily fiction films. With World War I film stock became more expensive, so the company limited production of Kinemacolor films. The last Japanese film produced in Kinemacolor was Saiyûki Zokuhen (1917).
Instant color film was introduced by Polaroid in 1963. Like Polaroid's contemporary instant black-and-white film, their first color product was a negative-positive peel-apart process which produced a unique print on paper. The negative could not be reused and was discarded.
A Visit to the Seaside (1908) was one of the first successful motion pictures filmed in Kinemacolor. [1] It is an 8-minute short film directed by George Albert Smith [2] of Brighton, showing people doing everyday activities. It is ranked of high historical importance. [3]
It was directed by Theo Bouwmeester, who made several other films for the company, including Oedipus Rex (1911), Dandy Dick of Bishopsgate (1911), La Tosca (1911), and a western named Fate (1911). F. Martin Thornton directed films such as Santa Claus (1912), Little Lord Fauntleroy (1914) and the feature-length The World, the Flesh and the Devil ...
Scottish physicist James Clerk Maxwell took the world's first colored photograph. He experimented with red, blue, and green filters while photographing a ribbon. He experimented with red, blue ...
Turner was born in 1873 in Clevedon, North Somerset, UK. [2] In later life, Raymond and his wife Edith lived near the centre of Hounslow in West London. Some of Turner's colour film experiments were carried out in the back garden of this house in Montague Road and showed his three young children, Alfred, Agnes and Wilfrid.