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This is a list of paintings and drawings by the 17th-century Spanish artist Diego Velázquez. Velázquez is estimated to have produced between only 110 and 120 known canvases. [1] Among these paintings, however, are many widely known and influential works. All paintings are in oil on canvas unless noted.
Christ in the House of Martha and Mary is an oil-on-canvas painting by the Spanish artist Diego Velázquez, dating to his Seville period, now in the National Gallery, London. It was probably painted in 1618 (it is dated, but the "8" is "fragmentary" and uncertain), [ 1 ] shortly after he completed his apprenticeship with Pacheco .
Baroque paintings by Diego Velázquez (1599−1660) — a renowned Spanish Baroque painter. Subcategories This category has the following 3 subcategories, out of 3 total.
[83] [84] Mazo's painting of The Family of the Artist also shows a composition similar to that of Las Meninas. [85] Francisco Goya etched a print of Las Meninas in 1778, [86] and used Velázquez's painting as the model for his Charles IV of Spain and His Family. As in Las Meninas, the royal family in Goya's work is apparently visiting the ...
Diego Rodríguez de Silva y Velázquez [a] [b] (baptized 6 June 1599 – 6 August 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c. 1600–1750).
The Rokeby Venus (/ ˈ r oʊ k b i / ROHK-bee; also known as The Toilet of Venus, Venus at her Mirror, Venus and Cupid; Whose original title was "The Mirror's Venus" Spanish: La Venus del espejo) is a painting by Diego Velázquez, the leading artist of the Spanish Golden Age.
The Kitchen Maid (in Spanish La mulata, La cocinera or Escena de cocina (Kitchen Scene)) and Kitchen Maid with the Supper at Emmaus are two paired domestic paintings by Diego Rodríguez de Silva y Velázquez from his early Seville period. A wide range of dates has been suggested for its completion, although most place it between 1620 and 1622.
The subject of the painting is the waterseller, a common trade for the lower classes in Velázquez's Seville.The jars and victuals recall bodegón paintings. The seller has two customers: a young boy, possibly painted from the same model as used for the boys in The Lunch and Old Woman Cooking Eggs, and a young man in the background shadows, (time has caused him to fade somewhat; he is clearer ...