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In the famous speech of Act II, Scene II [1] of the play, the line is said by Juliet in reference to Romeo's house: Montague. The line implies that his name (and thus his family's feud with Juliet's family) means nothing and they should be together. Juliet: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;
In his analysis, he focuses his attention on the use of the word "dear" within the first line. He notes that the reader's initial deduction of the word "dear" implies the idea of affection. But this initial impression of the word on the reader is immediately confronted by the word "estimate", which essentially uncovers the reality of the ...
Romeo and Juliet is a dramatization of Brooke's translation, and Shakespeare follows the poem closely but adds detail to several major and minor characters (the Nurse and Mercutio in particular). [23] [24] [25]
three times. This triple curse, directed at the Montague and Capulet houses, almost literally comes true. Due to an unfortunate coincidence – a plague quarantine imposed by the city guards – Friar John is unable to deliver a letter informing the exiled Romeo that Juliet is not dead but asleep. As a result, both Romeo and Juliet perish.
Shakespeare's sonnets conform to the English or Shakespearean sonnet form. The form consists of fourteen lines structured as three quatrains and a couplet, rhyming abab cdcd efef gg and written in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
In loving thee thou know’st I am forsworn, But thou art twice forsworn, to me love swearing; In act thy bed-vow broke, and new faith torn, In vowing new hate after new love bearing. But why of two oaths’ breach do I accuse thee, When I break twenty! I am perjur’d most; For all my vows are oaths but to misuse thee,
Sonnet 131 is a sonnet written by William Shakespeare and was first published in a 1609 quarto edition titled Shakespeare's sonnets. [2] [3] It is a part of the Dark Lady sequence (consisting of sonnets 127–52), which are addressed to an unknown woman usually assumed to possess a dark complexion.
To be able to devote one's life to art without forgetting that art is frivolous is a tremendous achievement of personal character. Shakespeare never takes himself too seriously." Lectures on Shakespeare (ed. by Arthur Kirsch) T. S. Eliot: "Dante and Shakespeare divide the modern world between them, there is no third." Dante, 1929