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Aeschylus' popularity is evident in the praise that the comic playwright Aristophanes gives him in The Frogs, produced some 50 years after Aeschylus' death. Aeschylus appears as a character in the play and claims, at line 1022, that his Seven against Thebes "made everyone watching it to love being warlike". [ 50 ]
He planned to publish a full edition of the plays of Aeschylus but his death prevented its completion. However, he left annotated copies of the text which have been used since by scholars. [2] Headlam's notes were transcribed by George Thomson, who included them in his edition of Aeschylus' Oresteia, The Oresteia of Aeschylus (1938). [10]
A small number of verses from these three of Aeschylus' lost works have been saved: fifty-four from Myrmidons, seven from Nereids and twenty-one from Phrygians. A sense of the pace at which additions to this corpus are made can be gleaned from the fact that a papyrus fragment containing seven letters on three lines that could be fitted over a two-line quote from Justin Martyr's dialogue Trypho ...
His translations of Aeschylus and his early travel writings are vivid and memorable. [11] His poetry remains neglected, with little critical comment available since their publication. His importance in the mid-19th-century cultural cross-currents between Britain, the United States and Germany has only recently been assessed. [ 22 ]
2. I removed the reference to the Lammergeier, as it lends credibility to the surely apocryphal "death by eagle" legend. 3. In the "Works" section, I elaborated on Aeschylus' significant tendency (not shared by Sophocles or Euripides) to write connected trilogies, providing a brief catalogue of lost trilogies sugested by known play titles.
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Aeschylus was not the first to write a play about the Persians — his older contemporary Phrynichus wrote two plays about them. The first, The Sack of Miletus (written in 493 BC, 21 years before Aeschylus' play), concerned the destruction of an Ionian colony of Athens in Asia Minor by the Persians.