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Portrait of a Young Man Wearing Lynx Fur (1560) by Paolo Veronese. Portrait of a Young Man Wearing Lynx Fur, Gentleman with a Lynx Pelt or Portrait of a Man is a 1560 painting by Paolo Veronese, produced during his stay in Rome and showing similarities to his Baptism of Christ (Herzog Anton Ulrich Museum, Brunswick) and The Anointing of David (Kunsthistorisches Museum, Vienna). [1]
The Portrait of a Gentleman in a Fur (Italian: Ritratto di gentiluomo in pelliccia) is an oil painting by the Italian Renaissance painter Paolo Veronese measuring 140 centimetres (55 in) by 107 centimetres (42 in), dated to c. 1550–1560 and now in the Galleria Palatina in Florence. Another version exists at the Museum of Fine Arts in Budapest.
A series of portraits, on five passenger shelters, of Cherry residents representing family, community, and education. [28] Marek Ranis: Walls and bridge enhancements: Lynx Blue Line: 2007: Design and color of Retaining walls and bridge columns in the south corridor. [29] Thomas Sayre: Furrow: Scaleybark: 2007
Study for Portrait, Number IV (After the Life Mask of William Blake) (Oil on canvas, each 61.1 x 50.8 cm (24 1/8 x 20 in), Museum of Modern Art, New York City) (small triptych) [33] 1956–57 Study for Portrait No.6 (Oil on canvas, 149 x 116 cm (58.6 x 45.6 in), Hatton Gallery , Newcastle upon Tyne) [ 34 ]
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Contemporary Lynx Magazine is an international art magazine founded in 2013. It focuses on the art industry and visual culture of Central and Eastern Europe through essays, interviews and specially commissioned artworks. It appeared twice a year in print (2015-2023) and digital versions (ongoing) .
Portrait of Lola Montez, 1847. Lola Montez, the mistress of Ludwig I and ultimately the reason for his abdication, was the penultimate subject for Stieler's gallery of beauties. Over the next 15 years until 1850, Stieler completed the missing 19 portraits and completed his work with the portraits of Lola Montez and Maria Dietsch. Cosmetic ...
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