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In his "ferro-concrete" (reinforced concrete) poems, Vasily Kamensky replaced grammar and syntax with a spatial arrangement of words that celebrates concrete as a dynamic force in the invention of the modern city. The artists discarded customary book materials and printed Tango on cheap wallpaper as a parody of urban bourgeois taste.
Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject.
Mary Ellen Solt, née Bottom (July 8, 1920 in Gilmore City, Iowa – June 21, 2007) was an American concrete poet, essayist, translator, editor, and professor. Her work was most notably poems in the shape of flowers such as "Forsythia", "Lilac", and "Geranium". They were collected in Flowers in Concrete (1966).
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Home on the Range: Cowboy Poetry (1997) Very Best (Almost) Friends: Poems of Friendship (1999) Stone Bench In An Empty Park (2000) A Poke in the I: A Collection of Concrete Poems (2001) Dirty Laundry Pile: Poems in Different Voices (2001) Blushing: Expressions of Love in Poems and Letters (2004) A Kick in the Head: An Everyday Guide to Poetic ...
Though his early writing consisted of fiction and lyrical poems, he first received international recognition in the 1960s for concrete poetry. The first major publications included Journeying & the returns (1967), [6] a purple box containing visual & lyrical poems and Konfessions of an Elizabethan Fan Dancer (1969) [7] a book of
Zang Tumb Tumb (usually referred to as Zang Tumb Tuuum) is a sound poem and concrete poem written by Filippo Tommaso Marinetti, an Italian futurist. It appeared in excerpts in journals between 1912 and 1914, when it was published as an artist's book in Milan.
The Rose That Grew from Concrete (1999) is a collection of poetry written between 1989 and 1991 by Tupac Shakur, published by Pocket Books through its MTV Books imprint. [1] A preface was written by Shakur's mother Afeni Shakur, a foreword by Nikki Giovanni and an introduction by his manager, Leila Steinberg.