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Typography, type-founding, and typeface design began as closely related crafts in mid-15th-century Europe with the introduction of movable type printing at the junction of the medieval era and the Renaissance. Handwritten letterforms of the mid-15th century calligraphy were the natural models for letterforms in systematized typography. [1]
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This is an accepted version of this page This is the latest accepted revision, reviewed on 28 December 2024. Art of arranging type "Typographer" redirects here. For the typewriter, see Typographer (typewriter). Not to be confused with Type design, Topography, Typology, or Topology. A specimen sheet of the Trajan typeface, which is based on the letter forms of capitalis monumentalis or Roman ...
The history of typography may refer to: History of Western typography , for the history of typography in Europe and the wider Western world History of typography in East Asia , for the history of East Asian typography and printing
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In the history of Western typography humanist minuscule gained prominence as a model for the typesetter's roman typeface, as it was standardized by Aldus Manutius, who introduced his revolutionary italic typeface based on the chancery hand in Venice, 1501, and was practised by designer-printers Nicolas Jenson and Francesco Griffo; roman type ...
An Essay on Typography is a 1931 book by Eric Gill about the history of typographical art and production.It has been considered a classic since its first publication. The influential graphic designer Paul Rand called it 'timeless and absorbing' in a review for The New York Times.
Its major advantage was fine control of typography thanks to continuously variable optics, allowing fractions of point sizes to be specified. Operator feedback was by means of a green-screen CRT display showing code mnemonics only, it being left to the operator to visualise final output.