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The Virgin and Child from the Sainte-Chapelle is an ivory sculpture probably created in the 1260s, currently in the possession of the Louvre Museum in Paris.The museum itself describes it as "unquestionably the most beautiful piece of ronde-bosse [in the round] ivory carving ever made", [1] and the finest individual work of art in the wave of ivory sculpture coming out of Paris in the 13th and ...
A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church.
Mother and Child [80] 1930 Ancaster stone H 25.4 LH 82 Image online [81] Mother and Child [80] 1930 Hamstone H 78.7 LH 83 Image online [82] Mother and Child [80] 1931 Cumberland alabaster H 45.5 Shri Bhavani Museum: LH 107a Image online [83] Mother and Child [80] 1931 Green marble H 20.3 LH 107 Image online [84] Mother and Child [80] 1931 ...
Late Gothic sculptures of the Virgin and Child may show a standing virgin with the child in her arms. Iconography varies between public images and private images supplied on a smaller scale and meant for personal devotion in the chamber: the Virgin suckling the Child (such as the Madonna Litta) is an image largely confined to private devotional ...
The Virgin of the pillar or Notre-Dame de Paris is a title of the Blessed Virgin that is associated with a near life-size stone statue, 1.8 metres tall, of the Virgin and Child created in the early 14th century. The statue was transferred to Notre-Dame in 1818, it was first placed in the over mantal of the portal of the Virgin to replace the ...
[3] [6] Both believe Dürer produced the drawing as a study for his 1506 watercolor, The Virgin with a Multitude of Animals. [6] Fritz Koreny, a former curator at the Albertina and a current researcher at the Institute for Art History at the University of Vienna, attributes the drawing to Hans Baldung. [1] Baldung was a student of Dürer.
Annalena Altarpiece with predella by Fra Angelico, c. 1438–40 (frame removed), sometimes considered the "first" instance of the sacra conversazione format [1]. In art, a sacra conversazione (Italian: [ˈsaːkra koɱversatˈtsjoːne]; plural: sacre conversazioni), meaning "holy (or sacred) conversation", is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and ...
Pieter van Avont likely received commissions from Archduke Leopold William, Governor of the Southern Netherlands, as the Archduke is known to have owned a landscape with the Virgin and Child with Angels by van Avont. [1] Even so, Pieter van Avont was not able to live off his art and operated a side business as a dealer in paintings and prints.