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Those reviewed were: Shalom Jerusalem in 1995, Holy Fire in 1997, Jerusalem Arise! in 1999, Pray for the Peace of Jerusalem in 2002, The Watchman in 2005, Worship from the Heart of Israel in 2006, Praise Adonai in 2007, Live: A Night of Extravagant Worship in 2008, and Desert Rain in 2010, [8] which was also reviewed by Worship Leader. [9]
The label specialises in music of Messianic content and style. [1] The label was involved in a 1998 joint project with Integrity Music, Adonai: The Power of Worship from the Land of Israel, a compilation album featuring multiple artists. [2] Billboard called it "a stunning record featuring performances by several powerful artists". [3]
Live recording of Avinu Malkeinu during Yom Kippur Morning Service at the Hebrew Union College in Jerusalem. Avinu Malkeinu (Hebrew: אָבִינוּ מַלְכֵּנוּ; "Our Father, Our King") is a Jewish prayer recited during Jewish services during the Ten Days of Repentance, from Rosh Hashanah through Yom Kippur inclusive.
Jewish Music A large database of free religious Jewish sheet music for download. Including audio and video presentations. shulmusic.org A collection representing the Anglo-German choral tradition, in sheet music and sound files; Music in Kabbalah. The Nigun from an Ethnomusicological Perspective; Power of the Nigun nigun.info; Sephardic ...
Hevenu shalom aleichem" (Hebrew: הבאנו שלום עליכם "We brought peace upon you" [1]) is a Hebrew-language folk song based on the greeting Shalom aleichem. While perceived to be an Israeli folk song, the melody of "Hevenu shalom aleichem" pre-dates the current state of Israel and is of Hasidic origin.
Erkamka na Adonai is based on Psalm 18:1 (except for the "na," which is added) Erḥamkha (ארחמך) Adonai, "I love you, my Lord." Psalm 18:1 is the only place that the Hebrew Bible uses this verb for love in the Qal stem; this is normally an Aramaic usage. Hebrew uses this verb in the Pi'el stem in the context of compassion rather than love.
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Jewish liturgical music is characterized by a set of musical modes. The prayer modes form part of what is known as the musical nusach (tradition) of a community, and serve both to identify different types of prayer and to link those prayers to the time of year or even time of day in which they are set.