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Vāmācāra (Sanskrit: वामाचार, Sanskrit pronunciation: [ʋaːmaːtɕaːɽɐ]) is a tantric term meaning "left-hand path" and is synonymous with the Sanskrit term vāmamārga. [ 1 ] [ 2 ] It is used to describe a particular mode of worship or sadhana (spiritual practice) that uses heterodox things to sublimate for spiritual growth.
The central ritual of these groups was the gaṇacakra, a night-time sacramental circle, usually outdoors, often in a cremation ground or similarly spooky and 'powerful' location, with distinctly antinomian elements. These included the ritual use of sexuality, although it is not clear how far this was performed literally and how far symbolically.
The terms have their origins in tantra: the right-hand path (RHP, or dakṣiṇācāra) applied to magical groups that follow specific ethical codes and adopt social convention, while the left-hand path (LHP, or vāmācāra) adopts the opposite attitude, breaking taboos and abandoning set morality.
Vajrayāna (Sanskrit: वज्रयान; lit. 'vajra vehicle'), also known as Mantrayāna ('mantra vehicle'), Mantranāya ('path of mantra'), Guhyamantrayāna ('secret mantra vehicle'), Tantrayāna ('tantra vehicle'), Tantric Buddhism, and Esoteric Buddhism, is a Buddhist tradition of tantric practice that developed in Medieval India.
Reference is made in the early 9th century to vama (left-hand) Tantras of the Kaulas. [101] Literary evidence suggests Tantric Buddhism was probably flourishing by the 7th century. [ 63 ] Matrikas, or fierce mother goddesses that later are closely linked to Tantra practices, appear both in Buddhist and Hindu arts and literature between the 7th ...
Following the iconographic canons, the image bears the face of a boar and body of a divine woman. Her right hand holds a fish while the left hand holds a kapala. She has kept her right foot on her vahana (vehicle) buffalo which is seated on the pedestal at the bottom. Varahi is represented with a third eye on her forehead which is not clearly ...
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
Two descriptions of the goddess are found in various texts: the Dwi-Bhuja (two-handed), and the Chaturbhuja (four-handed). The Dwi-Bhuja depiction is the more common and is described as the "Soumya" or milder form. She holds a club in her right hand with which she beats a demon, while pulling his tongue out with her left hand.