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The Independent includes The Story of a Nobody among the "finest fiction" that explore terrorism and its motives, through lens of tsarist Russia. [3] Translator Hugh Aplin compares the piece to the works of Turgenev in its capturing post-serfdom, pre-Soviet radicalism, as well both authors' creation of female characters with "great moral integrity" compared with their male counterparts. [4]
Freud's psychonanalytic interpretation emphasizes that the uncanny is an aesthetic experience evoked for all by the text. [4] Thus, a reading of this text with attention to the uncanny opens up aesthetic theory to include the mixed positive and negative aesthetic pleasures. [4] Kofman's reading of The Sandman is generative of literary theory.
A psychoanalytic reading of the narrative structure suggests that Jesse's racism is not only irrational, but the result of repression. The story begins with a symptom: namely Jesse's inability to achieve an erection. He does not comprehend the cause of this phenomenon, and so "works through" a series of associated memories, each time implicitly ...
There is a similar story which is about two travellers sitting next to each other on a train (normally a man and a woman). One of them is reading a book and the other person asks what the book is about, and the first person says that it's about ghosts. They then have a conversation about ghosts, and the second person asks the first if the ...
The story parodies legends of the knights of King Arthur and stars Sir Agravaine, though the character in the story differs greatly from the Arthurian character. Plot. The narrator states that the following story is based on an old blackletter manuscript he found in a friend's ancestral castle, though the narrator has touched up the text a little.
A solo performance, sometimes referred to as a one-man show, one-woman show, or one-person show, features a single person telling a story for an audience, typically for the purpose of entertainment. This type of performance comes in many varieties, including autobiographical creations, comedy acts, novel adaptations, vaudeville, poetry, music ...
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Bradbury Stories: 100 of His Most Celebrated Tales (2003) is a collection of short stories by Ray Bradbury. Bradbury wrote an introduction to the collection where he speaks about some of the inspirations, influences and among other things, the comedy duo Laurel and Hardy. The collection repeats no stories from The Stories of Ray Bradbury.
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