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Đám cưới chuột (Rat's wedding), a popular example of Đông Hồ painting. Ðông Hồ painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Đông Hồ folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune, Thuận Thành District, Bắc Ninh Province).
Kim Hoàng painting (Vietnamese: Tranh Kim Hoàng) is a genre of Vietnamese woodcut paintings originated from Kim Hoàng village of Hoài Đức, Hanoi, Vietnam. In the past, Kim Hoàng painting was a popular element of the Tết holiday, together with Đông Hồ and Hàng Trống painting, but this tradition was lost in the middle of the 20th ...
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The emphasis given to silk painting being an art form which effectively expresses Vietnam’s national identity reflects the political context of the times, and the directives from Truong Chinh (Marxism and Vietnamese Culture) and Ho Chi Minh, that art should follow the socialist agenda and be a form of propaganda, glorifying the peasants and ...
Vietnamese literature, both oral and written, was created largely by Vietnamese-speaking people, although Francophone Vietnamese and English-speaking Vietnamese authors in Australia and the United States are considered by many critics as part of the national tradition.
The origin of Hàng Trống painting dates back to the 16th century during the reign of the Lê dynasty.Different from the countryside Đông Hồ, the manufacturing area of Hang Trong painting is located in the Tiêu Túc (later changed to Thuận Mỹ) district in the very heart of Hanoi which is now the quarter between Hàng Trống, Hàng Nón, Hàng Hòm and Hàng Quạt streets.
Đông Hồ is a village in the Song Hồ commune (làng Đông Hồ, xã Song Hồ), in Thuận Thành District, Bắc Ninh Province, Vietnam.It is one of several well known "craft villages", with the other most notable ones being Non Nước marble village (làng đá Non Nước) and Cam Ne mat village (Làng chiếu Cẩm Nê) in Da Nang, the Bát Tràng pottery village and Vạn Phúc ...
Several of his paintings are being displayed at the Vietnam National Museum of Fine Arts. [2] [3] He taught a resistance art class in the northern zone during the war with the French, and died as the result of injuries received at the Battle of Điện Biên Phủ. [4] He was among the first recipients of the Ho Chi Minh Prize in 1996.