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The pedal harp (also known as the concert harp) is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra .
Lyon and Healy now primarily manufactures four types of harps—the lever harp, petite pedal harp, semi-grande pedal harp, and concert grand harp. They also make limited numbers of special harps called concert grands. Lyon & Healy makes electric lever harps in nontraditional colors such as pink, green, blue, and red.
On pedal harps depressing the pedal one step turns geared levers on the strings for all octaves of a single pitch; most allow a second step that turns a second set of levers. The pedal harp is a standard instrument in the orchestra of the Romantic music era (ca. 1800–1910 CE) and the 20th and 21st century music era.
This mechanism, still used by modern pedal-harp makers, allows a harpist to perform in any key or chromatic setting. It was such a popular innovation that Érard sold £25,000-worth of harps in the first year of the release of the new instrument. One of these harps can be seen in the Museum für Kunst und Gewerbe in Hamburg in Germany.
Most information about the medieval harp comes from art and poetry of the era, though some original instruments survive and are available to view in museums. Performers play modern reconstructions of medieval harps today. The instrument is the predecessor to the concert grand pedal harp.
The cross-strung harp or chromatic double harp is a multi-course harp that has two rows of strings which intersect without touching. While accidentals are played on the pedal harp via the pedals and on the lever harp with levers, the cross-strung harp features two rows so that each of the twelve semitones of the chromatic scale has its own string.
Aoyama Harp (青山ハープ, Aoyama Hāpu) is a Japanese manufacturer of pedal (concert) harps and folk (lever) harps.Founded as the Aoyama Musical Instrument Manufacturing Company by Jitarō Aoyama in 1897 in Fukui, later generations of the family began the commercial manufacture of folk harps in the 1960s. [1]
Jacob Hochbrucker (also spelled Jakob Hochprugger; 1673 – 28 May 1763) [1] was an eighteenth-century harp maker and musician credited with the invention of the single-action pedal harp popularized in Europe between 1729 and 1750 by his descendants, and particularly by the Dauphine, Marie Antoinette, who performed on it after her arrival in Paris in 1770.
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