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The collection drew on household rubbish and the aesthetics of classic haute couture fashion to satirise the fashion industry for its wastefulness and lack of originality. The Horn of Plenty also featured reimagined designs and reworked items from previous collections, serving as a retrospective of McQueen's own design history.
In a 2015 retrospective, Dazed magazine called Merry-Go-Round one of McQueen's darkest shows. [87] Fashion theorists Adam Geczy and Vicki Karaminas regard What a Merry-Go-Round as "unjustly overshadowed" by the preceding collection, Voss. [88] Despite its positive reception, Merry-Go-Round was not one of McQueen's personal favourites.
The coiled corset from Look 47 of The Overlook, pictured backstage at the 2004 McQueen retrospective show Black. The Overlook (Autumn/Winter 1999) was the fourteenth collection by British fashion designer Alexander McQueen for his eponymous fashion house.
He revisited the collection in 2010 after McQueen's death, calling it the point that he realised McQueen's potential to change the status quo of fashion. [45] In a 2015 retrospective, Vogue highlighted the aesthetic of destruction in the collection and noted it had been a recurring theme in McQueen's fashion throughout his career. [1]
Pantheon ad Lucem [a] (Autumn/Winter 2004) is the twenty-fourth collection McQueen designed for his eponymous fashion house. The entire title is often incorrectly translated as meaning "towards the light"; this is the correct translation for the Latin phrase " ad lucem ", but neglects to account for the word " pantheon ".
Razor clamshell dress from Voss at Sleeping Beauties: Reawakening Fashion, Metropolitan Museum of Art, 2024. Voss is the seventeenth collection by British fashion designer Alexander McQueen, made for the Spring/Summer 2001 season of his eponymous fashion house. The collection drew on imagery of madness and the natural world to explore ideas of ...
Alexander McQueen: Savage Beauty was an art exhibition held in 2011 at the Metropolitan Museum of Art featuring clothing created by British fashion designer Alexander McQueen, as well as accessories created for his runway shows. The exhibit was extremely popular in New York City and resulted in what was then record attendance for the museum. [1]
Joan (Autumn/Winter 1998) was the twelfth collection by British fashion designer Alexander McQueen for his eponymous fashion house. Continuing McQueen's dual fascination with religion and violence, it was inspired by imagery of persecution, most significantly the 1431 martyrdom of French Catholic saint Joan of Arc, who was burned at the stake ...
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