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Bobby Freeman released a version of the song as a single in 1965, but it did not chart. [4] Sandy Nelson released a version of the song on his 1966 album "In" Beat. [5] The Olympics released a version of the song on their 1966 album Something Old, Something New. [6] Billy Preston released a version of the song on his 1966 album Wildest Organ in ...
"The Duck's Yas-Yas-Ya" is also referenced on Captain Beefheart's album Trout Mask Replica (1969), on the track "Old Fart at Play", in which Beefheart sings, "Momma licked 'er lips like a cat, pecked the ground like a rooster, pivoted like a duck", mentioning all three protagonists from the most famous line of the blues song.
Other variants include "down the mouse ran" [2] or "down the mouse run" [3] or "and down he ran" or "and down he run" in place of "the mouse ran down". Other variants have non-sequential numbers, for example starting with "The clock struck ten, The mouse ran down" instead of the traditional "one".
Earl Lee Nelson (September 8, 1928 – July 12, 2008), who also performed as Jackie Lee, was an American soul singer and songwriter. He started his career in the doo-wop group the Hollywood Flames in the 1950s before founding the R&B duo Bob & Earl with Bobby Byrd.
Gary Brolsma, aka "The Numa Numa guy" "1-800-273-8255" – a song by Logic featuring Alessia Cara and Khalid mainly focusing on the topic of suicide and suicide prevention. Its title is a direct reference to the United States National Suicide Prevention Lifeline's phone number, although as of 2022 the Lifeline is known as the 988 Suicide & Crisis Lifeline as its number is now 988.
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“It’s so rich,” Canal says in the video. “Like Tom Cruise.” The pastry is so famous, it was immortalized in HBO comedy series “Hacks.”In the Season 3 premiere, fictional superstar ...
Teddy Craven of The Daily Campus described "Duckworth" as Damn's "strongest song" and "ends the album with a fantastic philosophical mic-drop." [11] Craven compared the track to "Sing About Me, I'm Dying of Thirst" from Lamar's second studio album Good Kid, M.A.A.D City, a song that also tells personal stories about the unexpected consequences of Lamar's music. [11]