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Philippine folk literature refers to the traditional oral literature of the Filipino people.Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups, as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
Philippine mythology includes concepts akin to those in other belief systems, such as the notions of heaven (kaluwalhatian, kalangitan, kamurawayan), hell (kasamaan, sulad), and the human soul (kaluluwa, kaulolan, makatu, ginoand kud,...). The primary use of Philippine mythology is to explain the nature of the world, human existence, and life's ...
Depiction of Lam-Ang, the protagonist of Biag ni Lam-Ang, an Ilocano epic.. Philippine epic poetry is the body of epic poetry in Philippine literature.Filipino epic poetry is considered to be the highest point of development for Philippine folk literature, encompassing narratives that recount the adventures of tribal heroes.
The Ibalon Monument which shows the four (4) heroes of the epic: Tambaloslos, Baltog, Handyong and Bantong in Legazpi City. The Ibálong, also known as Handiong or Handyong, is a 60-stanza fragment of a Bicolano full-length folk epic of the Bicol region of the Philippines, based on the Indian Hindu epics Ramayana and Mahabharata.
Maria Cacao is the diwata or mountain goddess associated with Mount Lantoy in Argao, Cebu, Philippines.The Maria Cacao legend is a prominent example of the mountain goddess motif in Philippine mythology; other prominent examples being Maria Makiling of Los Baños and Maria Sinukuan of Mount Arayat.
A host of mythological creatures occur in the mythologies from the Philippines. Philippine mythological creatures are the mythological beasts, monsters, and enchanted beings of more than 140 ethnic groups in the Philippines. Each ethnic people has their own unique set of belief systems, which includes the belief in various mythological creatures.
The following is a list of gods, goddesses, deities, and many other divine, semi-divine, and important figures from classical Philippine mythology and indigenous Philippine folk religions collectively referred to as Anito, whose expansive stories span from a hundred years ago to presumably thousands of years from modern times.
The nuno is described to be a small old man with a long beard, but differs from a dwende or dwarf of Philippine folklore. The dwende is a playful hobgoblin who shows himself to children, while the nuno is a goblin easily angered that will do harm to those who damage or disturb his mound, and will seek retribution, for example by causing the ...