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In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Nishimura studied composition and musical theory on a graduate course at Tokyo National University of Fine Arts and Music.He also studied Asian traditional music, religion, aesthetics, cosmology and the heterophonic concepts, all of which had a lasting influence on his music.
"Là ci darem la mano", number 7 in the score, starts in the key of A major with a tempo indication of andante and a time signature of 2/4. The vocal range for Don Giovanni covers E 3 to E 4, Zerlina's range covers E 4 to F ♯ 5.
Heterophony At one point in time, this page was flagged by AarghBot, because it appeared that someone had performed a cut-and-paste move from this page to another page, but a human has double-checked it and found that this is not the case.
The piece was written for the inauguration of the Snape Maltings concert hall, which took place in June 1967. [2] This has been described as the first performance, [3] although it was played at the opening of the Queen Elizabeth Hall in London which took place earlier the same year. [4]
The Enciclopedia Libre was founded by contributors to the Spanish Wikipedia who decided to start an independent project. Led by Edgar Enyedy, they left Wikipedia on 26 February 2002, and created the new website, provided by the University of Seville for free, with the freely licensed articles of the Spanish Wikipedia. [3]
Curlew River – A Parable for Church Performance (Op. 71) is an English music drama, with music by Benjamin Britten to a libretto by William Plomer. [1] The first of Britten's three 'Parables for Church Performance', the work is based on the Japanese noh play Sumidagawa (Sumida River) by Kanze Jūrō (1395–1431), which Britten saw during a visit to Japan and the Far East in early 1956.