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Zigeunerweisen is in one movement but can be divided into four sections, the first three in the key of C minor and the last in A minor, based on the tempi: Moderato – An imposing, virtuosic introduction with slow majestic energy by the orchestra, then a little softer by the violin itself. Lento – The violin plays in lugubrious lento 4/4.
Unlike a standard piano trio or a concerto, there is no standard form for a composition for a clarinet–violin–piano trio: a piece can have any number of movements. Acoustically, the choice of a clarinet, violin, and piano is characteristic in that most chamber music (and most music in general) contains high ( soprano ), mid-range ( alto ...
Opus 132: The Relic, recitative for bass and piano; Opus 133: Sonata for bassoon solo; Opus 134: From Afanasy Fet's Poetry, songs for bass and piano; Opus 135: Sonata No. 3 for viola solo (1982) Opus 136: Sonata No. 4 for viola solo (1983) Opus 136bis: Sonata No. 6 for violin and piano (1982) Opus 137: Symphony No. 17 Memory (1984)
Sonata for viola and piano, Op. 117 (1948) Sonata No. 1 for violin solo, Op. 33 (1925) Sonata No. 2 for violin solo, Op. 115 (1948) Sonata No. 1 in F-sharp minor for violin and piano, Op. 3 (1919) Sonata No. 2 for violin and piano, Op. 99 (1945) Sonatine for B♭ bass clarinet and piano (as Thornton Winsloe) String quartet No. 1, Op. 6 (1921)
Fleurs du mal, a piano sonata (1996–97) Insel der Sirenen (Island of the Sirens) for solo violin and 19 strings (1997) Sieben Abgesänge auf eine tote Linde (Seven Poems from a Dead Linde Tree) for soprano, clarinet, violin and piano (1997) String Quartet No. 1 (1997) [6] [7] Five Fragments for clarinet and piano (1997) [8] [9]
Patterns in a Chromatic Field/Untitled Composition For Cello And Piano, for cello and piano (1981) Bass Clarinet and Percussion, for bass clarinet and two percussionists (playing cymbals, gongs, timpani, marimba, xylophones, and vibraphones) (1981) For John Cage, for violin and piano (1982) Crippled Symmetry, for flute, percussion and piano (1983)
The Zigeunerlieder (Gypsy songs), Op. 103 and Op. 112 Nos. 3–6, are a song cycle for four singers (or choir) and piano by Johannes Brahms (Op. 103 Nos. 1–7 and 11 exist also in an arrangement for solo voice and piano made by Brahms himself).
Trio pathétique, for clarinet (or violin), bassoon (or cello), and piano in D minor, G. iv173; Technically not piano trios, but pieces with ossia parts for the conventional violin-cello-piano trio are: Henriette Renié. Trio for harpe (or piano), violin and cello in B-flat major, IHR 17 (written in ca. 1901, published in ca. 1910)
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