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Seven six chord on C (C 7/6). Play ⓘ In music, a seven six chord is a chord containing both factors a sixth and a seventh above the root, making it both an added chord and a seventh chord. However, the term may mean the first inversion of an added ninth chord (E–G–C–D). [1] It can be written as 7/6 and 7,6. [2]
0 4 7 9: Major Major sixth ninth chord ("6 add 9", [2] Nine six, [3] 6/9) Play ... 0 3 7: Minor Thirteenth flat ninth chord [2] Play ...
4: Minor Passamezzo moderno: I–IV–I–V–I–IV–I–V–I: 3: Major I–V–vi–IV progression: I–V–vi–IV: 4: Major Ragtime progression: III 7 –VI 7 –II 7 –V 7: 5: Major Rhythm changes: I-iv-ii-V / I-I 7-iv-I-V-I / III 7-VI 7-II 7-V 7: 15: Major Romanesca: III–VII–i–V–III–VII–i–V–i: 3: Major Sixteen-bar blues
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Cadential second-inversion chords are typically used in the authentic cadence I 6 4-V-I, or one of its variation, like I 6 4-V 7-I. In this form, the chord is sometimes referred to as a cadential 6 4 chord. The chord preceding I 6 4 is most often a chord that would introduce V as a weak to strong progression, for example, making -II-V into II-I 6
For example, in the progression Dm 7 –G 7 –C M7, substituting D ♭ 7 for G 7 produces the downward movement of D–D ♭ –C in the roots of the chords, typically played by the bass. This also reinforces the downward movement of the thirds and sevenths of the chords in the progression (in this case, F/C to F/C ♭ to E/B).
A mixed third chord, also split-third chord, [6] includes both the major and minor thirds (e.g. C–E ♭ –E ♮ –G), although the thirds are usually separated by an octave or more. [4] A minor chord above a major chord of the same root has a diminished octave (major seventh) separating the thirds and is more common, while a major chord ...
The harmonic seventh chord is a major triad plus the harmonic seventh interval (ratio of 7:4, about 968.826 cents [1]). This interval is somewhat narrower (about 48.77 cents flatter, a septimal quarter tone ) and is "sweeter in quality" than an "ordinary" [ 2 ] minor seventh , which has a just intonation ratio of 9:5 [ 3 ] (1017.596 cents), or ...