Search results
Results from the WOW.Com Content Network
Flame of Love is the second Japanese extended play (third overall) by South Korean singer Taemin under EMI Records, a division of Universal Music Japan. It was released digitally on July 3, 2017, and physically on July 18, 2017.
The album consists of three previous released singles, such as "I Just Feel So Love Again ~Soba ni Iru dake de~" (I JUST FEEL SO LOVE AGAIN 〜そばにいるだけで〜), "Flame Of Love" and "Lazy Drive". Three tracks out of ten: "So good", "Sweeter Baby" and "Fairplay" were reprised from indies album "Sweet Velvet".
The ON AIR version differs from single release by key tuning and changed lyrics. With "Flame of Love" in July they made their only TV appearance on the Tokyo Broadcasting System Television music program CDTV. "Flame of Love" was included in 2011 in the compilation album Giza Studio Presents: Girls. [5]
Similarly, "Flame of Love" was released on Taemin's Flame of Love EP on July 18, 2017, [15] with a music video released earlier on June 26, 2017. [16] In addition to this, the album contains three Japanese versions of songs that were previously released in Korean by Taemin: "Drip Drop", "Danger", and "Press Your Number". [1]
"Flame of Love" † Taemin Amon Hayashi; Kanata Okajima; Andreas Öberg; Yuka Otsuki; Flame of Love: 2017 [16] "Flame of Love" (Korean version) Taemin Jo Yoon-kyung;
Plácido Domingo and Song Zuying singing The Flame of Love (lyrics by writers Song Xiaoming and Yuan Yuan) Wei Wei and Sun Nan singing Beijing Beijing (wo ai Beijing). Leona Lewis, Jimmy Page (with David Beckham making an appearance), Elspeth Hanson as the violinist and Kwesi Edman as the cellist.
"The Flame" is a power ballad [3] released in 1988 by the American rock band Cheap Trick as the first single from their tenth album, Lap of Luxury. It was written by songwriters Bob Mitchell and Nick Graham , and was produced by Richie Zito .
The pan-European magazine Music & Media named Heart Over Mind one of its "albums of the week" in the issue dated March 7, 1987. [9] The magazine praised Jennifer's "powerful, confident and melodramatic" vocals and noted the album was suited for "the adult, Mainstream American market" with its "calculated balance between powerful rock songs and gentle, swaying ballads".