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Amarna art, or the Amarna style, is a style adopted in the Amarna Period during and just after the reign of Akhenaten (r. 1351–1334 BC) in the late Eighteenth Dynasty, during the New Kingdom. Whereas ancient Egyptian art was famously slow to change, the Amarna style was a significant and sudden break from its predecessors both in the style of ...
The Stela of Akhenaten and his family is the name for an altar image in the Egyptian Museum in Cairo which depicts the Pharaoh Akhenaten, his queen Nefertiti, and their three children. The limestone stela with the inventory number JE 44865 is 43.5 × 39 cm in size and was discovered by Ludwig Borchardt in Haoue Q 47 at Tell-el Amarna in 1912. [ 1 ]
Akhenaten in the typical Amarna period style Statue of Akhenaten in the collection of the Egyptian Museum, Cairo. Styles of art that flourished during the reigns of Akhenaten and his immediate successors, known as Amarna art, are markedly different from the traditional art of ancient Egypt.
The Colossal Statues of Akhenaten at East Karnak depict the 18th Dynasty pharaoh, Akhenaten (also known as Amenophis IV or Amenhotep IV), in a distorted representation of the human form. The statues are believed to be from early in his reign, which lasted arguably from either 1353 to 1336 BCE or 1351 to 1334 BCE.
Art before Akhenaten was characterized by its formality and restraint, and shifted toward becoming stylized. [3] While Akhenaten is famous for the changes he made in the religious practices and art, there were also changes in temple architecture, building methods, and public inscriptions.
Examples of his work recovered from his abandoned studio may be viewed at the Egyptian Museum of Berlin, the Egyptian Museum in Cairo, and the Metropolitan Museum of Art, New York City. Upon the death of Akhenaten, the seat of government was returned from Amarna to Thebes and the associated bureaucratic and professional industries followed.
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The City of Akhenaten and Nefertiti: Amarna and its People by Barry Kemp, [17] discusses everything from the conception of Amarna to the abandonment of the city. Within the book are images that display art, architecture, and the city as it was (reconstructed) and now.
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