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White's Lichtung (1991) on the Kulturweg Baden-Wettingen-Neuenhof, photographed in 2011. Gillian Louise White (born 20 June 1939, in Orpington) is a British-born sculptor who currently resides and works in Leibstadt, Switzerland. [1] [2] She is renowned for her large-scale public works and art commissions for buildings. In 1969, shortly before ...
Gillian White may refer to: Gillian White (actress) (born 1975), American actress; Gillian White (lawyer) (1936-2016), English professor of international law;
Her statue of the suffragist Millicent Fawcett, popularly known as "Hanging out the washing", stands in London's Parliament Square. [2] From 5 November 2021 to 4 April 2022, the Solomon R. Guggenheim Museum in New York City showed Gillian Wearing: Wearing Masks, the first retrospective of Wearing's work in North America. [3] [4]
Gillian Mary Wise (16 February 1936 – 11 April 2020) was a British artist devoted to the application of concepts of rationality and aesthetic order to abstract paintings and reliefs. [1] Between 1972 and 1990 she was known as Gillian Wise Ciobotaru .
The 1998 Tony award winning Broadway play 'Art' employed a white monochrome painting as a prop to generate an argument about aesthetics which made up the bulk of the play. The 1995 Cesar award winning movie The Three Brothers featured a white monochrome painting by fictitious artist Whiteman (inspired by K. Malevich White on White masterpiece).
Conceptual art is art wherein the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic and material concerns. [25] The inception of the term in the 1960s referred to a strict and focused practice of idea-based art that defied traditional visual criteria associated with the visual arts in its presentation as text ...
Gillian White (1945-2020; pen name, Georgina Fleming) was a British novelist and former journalist, several of whose works were adapted for television. [1] Life
In 1897 the art dealer Samuel Bing organized an exhibition of his work with 130 of his paintings. In 1902 he returned to his native country. In 1902 he returned to his native country. His work shows a certain monumentality and a solemn air, with a tendency to monochrome and to synthesize form and color, and a clear and friendly palette.