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Unlike other forms of Japanese architecture (such as those of the sukiya (数寄屋) style), it is the structure rather than the plan that is of primary importance to the minka. [3] Minka are divided up with primary posts that form the basic framework and bear the structural load of the building; secondary posts are arranged to suit the ...
Shoin-zukuri (Japanese: æ›¸é™¢é€ , 'study room architecture') is a style of Japanese architecture developed in the Muromachi, Azuchi–Momoyama and Edo periods that forms the basis of today's traditional-style Japanese houses.
The simplicity of Japanese dwellings contrasted the oft-esteemed excessive decoration of the West. The influence of Japanese design was thus not so much that it was directly copied but rather, "the west discovered the quality of space in traditional Japanese architecture through a filter of western architectural values". [96]
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (æ›¸é™¢é€ ) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
Its features include an open structure with few walls that can be opened and closed with doors, shitomi and sudare, a structure in which people take off their shoes and enter the house on stilts, sitting or sleeping directly on tatami mats without using chairs or beds, a roof made of laminated hinoki (Japanese cypress) bark instead of ceramic ...
A kitchen of one tatami in area on the left, a floor covered with four tatami and a second door with tiny engawa stoop on the right. Munewari nagaya (back-to-backs) had only a kitchen door. Plan of an Edo nagaya neighbourhood; houses range from 4.5 to 16 tatami in area (visible in full-scale view) Old depiction of a nagaya
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