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The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...
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Female Nude is an 1876 painting by Pierre-Auguste Renoir, also known as Nude Woman Sitting on a Couch, Anna (after its model), After Bathing and Pearl.It is housed in the Pushkin Museum, in Moscow, and is an example of Renoir's many nude paintings, a recurring subject that preoccupied him throughout his life.
They are among the most famous paintings in the world, and icons of Italian Renaissance painting; of the two, the Birth is better known than the Primavera. [1] As depictions of subjects from classical mythology on a very large scale they were virtually unprecedented in Western art since classical antiquity , as was the size and prominence of a ...
It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the ...
Helen of Troy is an 1898 painting by the English artist Evelyn De Morgan depicting Helen of Troy; it was commissioned by William Imrie of Liverpool. [1]Compositionally, the painting is similar to De Morgan's Flora and Cassandra: [2] Helen is standing upright and tall, in a peaceful posture that reminds to Boticcelli's representations of Greek and Roman goddesses (such as Athena or Venus) that ...
Millet's The Gleaners was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled The Gleaners at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793."
Two Women with a Candle or Old Woman and Young Woman with a Candle is a 1616-1617 painting by Peter Paul Rubens, now in the Mauritshuis, The Hague, Netherlands. Its chiaroscuro shows strong influence from Caravaggio , whose work Rubens had seen during a stay in Rome.