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“Pare Ko” is a ballad [12] and became notable for its explicit lyrics, which was unheard of in Philippine music at the time. [14] The album's initial release included both original and censored versions, with the latter named “Walang Hiyang Pare Ko” (later excluded from the album’s 25th anniversary remaster). [ 13 ]
Pare Ko (English: "My Pal") is a song by the Philippine alternative rock band Eraserheads. A censored version of the song titled Walang Hiyang Pare Ko (“My Shameless Pal”) was released as the second promotional single from their debut album, Ultraelectromagneticpop!
The pattern most typical of rock and related styles is: 1&2&3&4& d du udu. The final upstroke is sometimes omitted altering the strumming pattern slightly to d du ud. This pattern is often called "Old Faithful", [7] or when played on ukulele, the "Island Strum". Examples of other strumming patterns include: [8] Single down strum: d d d d
The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F
Just a few years after their hiatus, the tribute album Kami nAPO Muna was released in honor of the group. The Filipino musical artists who did their own unique renditions of APO songs includes: Imago, Orange and Lemons, Parokya ni Edgar, Kamikazee, Sandwich, Sugarfree, Itchyworms, Sponge Cola, Boldstar, Sound, Drip, Rocksteddy, Top Suzara, Barbie Almalbis, Kitchie Nadal, Shamrock, and The Dawn.
Rasgueado (also called Golpeado, [1] Rageo (spelled so or Rajeo), Rasgueo or Rasgeo in Andalusian dialect and flamenco jargon, or even occasionally Rasqueado) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also used in classical and other fingerstyle guitar picking techniques.
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords.
One technique on guitar involves strumming palm muted power chords in an up-and-down motion with a pick, thereby creating an ostinato. [3] [4] Variations include the triplet gallop [5] and the reverse gallop.
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